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“Amour,” and What the Oscars are Really About

I’m just getting around to seeing Michael Haneke’s Amour, and I’m pretty sure I’m not the only one. The French film, nominated for five major awards at last year’s Oscars, barely screened in the U.S. At its widest release, it showed in 333 American theaters. By way of contrast, Argo, the eventual Best Picture winner,…