The question is not whether A Good Day to Die Hard, the fifth film in which grizzled New York cop John McClane fails to acquiesce to the ending implicit in its title, is worth seeing. It’s not. It’s a terrible, … Continue reading
The question is not whether A Good Day to Die Hard, the fifth film in which grizzled New York cop John McClane fails to acquiesce to the ending implicit in its title, is worth seeing. It’s not. It’s a terrible, … Continue reading
In the wake of the shootings last year in Aurora and Newtown, movie violence is under heavier scrutiny than we have seen in years. Many pundits and elected officials have raised the issue as a potential part of the problem … Continue reading