For the last 10 weeks, I have sat down to prepare to watch “The Newsroom” at 9:55 pm. Each time, I have caught the last few minutes of “True Blood.” I have never seen a full episode of “True Blood,” … Continue reading
I was really beginning to worry. Tonight’s episode – the conclusion of the two-part “Blackout” episode – started out exhibiting the same problems evident last week. It was far more about the characters – none of whom I have really … Continue reading
The two-part episode is a television staple. Growing up, I remember watching two-parters for all of my favorite shows, and I always got that feeling that was a mixture of disappointment and excitement when I realized that a show was … Continue reading
Tonight’s episode was, by “Newsroom” standards, rather slight. There were no big surprises in it, and there was no real conflict either. The news team spent very little time debating how to cover the killing of Osama Bin Laden, and … Continue reading
There is a YouTube video that made the rounds after the pilot episode of “The Newsroom” that demonstrated how writer/creator Aaron Sorkin likes to reuse his best lines. This video was an arrow in the quiver of those critics who … Continue reading
I remember this feeling from “The West Wing.” A great episode of that show – and of any Sorkin show – was so tightly crafted. Current events blend seamlessly into character arcs. Seemingly random conversations from early in the episode … Continue reading
NOTE: This post has been updated from its original content. Critics of HBO’s “The Newsroom” – and there have been many of them – have chided the show’s writer-creator Aaron Sorkin for being too preachy. These criticisms have come from … Continue reading
Recently, I had begun to think that “The Newsroom” had a serious problem – that its intent and structure were flawed at the core. “The Newsroom” aims to show us what good journalism looks like by replaying the events of … Continue reading
