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“Begin Again,” “They Came Together,” and the New Rom-Com

The obituary for the traditional romantic comedy has already been written hundreds of times, but those who are just reading the headlines are missing the point. It’s not that the rom-com is dead; rather, the traditional form of the genre – with its outdated notions of love and regressive gender roles – has little use…

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Sorry, Millenials: The “Fault” is Ours

Judging by the enormous opening weekend gross of The Fault in Our Stars, there are not a lot of cynics out there among the American teenaged population (or at least, the women). The cancer romance is an unabashed tear-jerker, with nary a drop of irony or detachment to be found among the earnest declarations of…

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The Misguided Feminism of “Maleficent”

For most of its history, Disney fairy tales knew only two types of women: evil hags and innocent princesses, and for almost as long, feminists have taken issue with these depictions. These stories have indoctrinated entire generations of young women into thinking their sole purpose in life was to be saved from spinsterhood by a…