On this last day of 2013, here is a quick look back at my top posts of the year, listed in order of popularity. If you like these, don’t forget to check out my work at other publications, such as The Atlantic and Movie Mezzanine. Thank you for reading this year and for making Reel Change a…
Parsing out the politics of a Hollywood film can be tricky. What makes for a conservative film? Or a progressive one? Unless the film is about a politician or political issue, you have to analyze the values embedded in its themes, plot, and characters, and the conclusions are always debatable. It has gotten easier, however,…
Let’s start with a list. Here are the movies currently playing at my local independent movie theater: Blue Jasmine, Before Midnight, The Attack, Fruitvale Station, and The Way, Way Back. Earlier this summer, it screened The Bling Ring, Frances Ha, and Much Ado About Nothing. Tastes may vary, but I saw most of those, and…
First of all, I’m flattered by the attention. Yesterday, Erik Kain of Forbes.com published a rebuke of my article in The Atlantic on a recent trend in Hollywood blockbusters of depicting war profiteers as villains. He makes a couple good points but gets some crucial details wrong. Here is an excerpt: Gittell argues that Iron Man…
Hey everyone. I’m back in The Atlantic today with a new piece on the similarities between The Lone Ranger, Iron Man 3, and White House Down. Here is an excerpt: Though people often forget it, Westerns are also war movies, as they take place during the American-Indian Wars of the 18th and 19th centuries. So…
So The Lone Ranger comes out today, and I kind of feel like I already saw it. It’s a western by way of Pirates of the Caribbean, right? Same director (Gore Verbinksi), same producer (Jerry Bruckheimer), same star (Johnny Depp), and if the trailer is any indication, it will feature the same type of breathtaking,…
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