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The Subversive Optimism of “The BFG”

SPOILER ALERT: This post contains a discussion of the plot and ending of “The BFG.” Consider yourself warned. For ninety minutes, The BFG is one of the most intimate, apolitical movies Steven Spielberg has ever made. Despite his reputation as a popcorn auteur, Spielberg’s work has always carried at least a hint of politics, even…

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A Dark Story Brought to Light in “The Innocents”

In the early decades of cinema, Catholics called the shots in Hollywood. All films were submitted to the Catholic Legion of Decency for approval, and, if they didn’t meet the agency’s standards of morality, there would be a boycott, and 20 million American Catholics would stay home. We’ve come a long way since then. In…

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“Sing Street”, or Once More With Feeling

The boy in Sing Street doesn’t seem like anything special, not at first. It’s his first day at a new school, forced to switch in the middle of the year because his parents are trying to save money. He’s already had a run-in with the school bully, and it’s easy to imagine what his future will…

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Reel Change on “Everybody”

I liked Richard Linklater’s “Everybody Wants Some!!” so much I wrote about it twice. First, there was my review in Washington City Paper. My editor challenged me to draw some connections between the film and “Born to be Blue,” a biopic of jazz trumpeter Chet Baker that was released the same day. I did my…

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At Least “Whiskey Tango Foxtrot” Gets its Feminism Right

Whiskey Tango Foxtrot, Tina Fey’s new war-journalism rom-com, is getting hit from all sides. In addition to its paltry box-office performance, accusations of whitewashing have rightly dogged the filmmakers, who cast American actor Christopher Abbott and British actor Alfred Molina as Afghan characters. Fey herself is taking the brunt of the blame, epitomized by Buzzfeed’s…

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2015: Year in Review

Dear Reader, Hey! Good to see ya. How are you? How was your year? Don’t actually answer, of course. I’m just waiting for you to ask me about my year so I can write the rest of this post. Sorry, but I thought it was rude to just jump in and start monologuing about myself.…

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I Hated, Hated, Hated “The Hateful Eight”

Quentin Tarantino is not exactly known for his subtlety, so when he opens The Hateful Eight with a close-up of a crucifix half-buried in snow, we know what he means: his is a world where salvation is dead and no god exists. Well, there is one god at least, but his name is above the…