How Change Happens (Sometimes)

Back in August, I wrote in The Atlantic that we might be reaching a significant moment in the animal rights movement: the end of the use of animals in entertainment. From a new federal regulation regarding chimpanzees to the success of Blackfish, this summer’s hit documentary on the abuse suffered by animals at SeaWorld, there…

“Dazed and Confused” at 20 Years Old

I hadn’t seen Dazed and Confused in five years or so before attending its 20th anniversary screening at the New York Film Festival on Thursday. But from the moment that the smoky opening tones of Aerosmith’s “Sweet Emotion” filled the theater, I realized why Richard Linklater’s film will never get old or dated: because it…

Why “Parkland” is Really a 9/11 Movie

I’ve become a regular contributor at an up-and-coming movie site called Movie Mezzanine, and I hope you check it out. It’s so new, there are no ads! Here’s one of my new pieces there about Parkland, which I reviewed for the Washington City Paper last week. This piece looks at the film as a JFK…

Despite its Flaws, “Gravity” is a Must-See Movie

Watching Gravity, I often felt like I was witnessing the future of filmmaking; director Alfonso Cuarón’s space thriller represents a joint achievement of technology and artistry that is nearly unprecedented. It’s at turns thrilling and terrifying, and there are long stretches when it’s impossible to tear your eyes from the screen. And yet, in some significant…